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“He was one of those people who stared at you with a meaningful smile on their face, as if he was somehow intellectually...
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This is the cover I wanted to run with. Ah well.
Inside publishing jokes are just the best.
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Let’s all take a moment.
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English Literature (Poetry, books, book clubs & more ) | via Facebook bei @weheartit.com – http://whrt.it/12PUa55
Adorable.
Artist Jane Mount creates portraits of people through their favorite books. The newest subjects in her perfectly named Ideal Bookshelf series are actor/director James Franco and 20x200 founder and CEO Jen Bekman. We’re delighted to get a glimpse at the literary tastes of these creative souls, and thrilled about Jane’s just-released collection, My Ideal Bookshelf.
Learn more about Jane Mount’s brilliant portraits.
Beautiful portrait! Check out Mark Z. Danielewski’s House of Leaves in there also. Awesome!
(via livefromthenypl)
Here’s a closeup of the gorgeous case for Mark Z. Danielewski’s The Fifty Year Sword! More pictures and details here.
We’re thrilled to finally reveal the cover for Mark Z. Danielewski’s The Fifty Year Sword! This follow-up to House of Leaves and Only Revolutions hits the shelves on October 16th, with a deluxe limited edition coming on November 13th. More details here. Head on over to io9 to see Mark talk more about this book and his design process, and read through his live Twitter chat earlier today at @markdanielewski.
“I have only myself and where I’ve been and what I found and what I now bring. And it will frighten you.”
- Mark Z. Danielewski, The Fifty Year Sword
Reminder: Mark will be answering your questions on Twitter today from 1 p.m. to 2 p.m. EST! Tweet your questions to @markdanielewski and tag them #T50YS. Then be sure to head over to io9.com at 2 p.m. to get your first look at the book cover!
Mark your calendars, Tumblrites: We’re revealing the cover of Mark Z. Danielewski’s The Fifty Year Sword on Thursday, August 23rd, at 2 p.m. EST on io9.com!
To kick it off, Mark will be answering questions from his Twitter followers from 1 p.m. to 2 p.m. EST on 8/23, so starting at 1 p.m. you can tweet your questions to @markdanielewski, and be sure to tag them #T50YS! Then head over to io9.com to see the fantastic cover, designed by Peter Mendelsund, and watch Mark field more questions from io9 readers!
You can find more details, including links to giveaways of ARCs of The Fifty Year Sword, on our site.
How exciting! ARCs of The Fifty Year Sword, Mark Z. Danielewski’s highly anticipated follow-up to House of Leaves and Only Revolutions, have finally landed in our office! Keep your eyes peeled for chances to win one of these bad boys, plus a reveal of the sumptuous cover, in the weeks to come.
Happy birthday, Belinda! Mark Z. Danielewski signs party hats for The Fifty Year Sword at our Comic-Con booth.
Birthday hats for Mark Z. Danielewski’s The 50 Year Sword at San Diego Comic-Con! Get yours at booth #1515 http://pantheon.knopfdoubleday.com/2012/07/02/sdcc-2012-schedule/
We asked Mark Z. Danielewski - author of House of Leaves, Only Revolutions, and the upcoming The Fifty Year Sword and The Familiar - to share a tip for aspiring writers as part of our Writers on Writing series. Watch the video to see what he had to say.
![Thanks to the eagle eyes at Slate for spotting this gem - “Tucked right between The Age of Lincoln and a history of Goldman Sachs [on Newt Gingrich’s bookshelf] is House of Leaves […] There is a statement to be made about this plot and about Gingrich’s very, very, very deliberate decision to wind down his campaign. Possibly. It could be that he just likes postmodern fiction more than he lets on.” (via Slate)](http://24.media.tumblr.com/tumblr_m31wbiisXo1r4t46jo1_500.jpg)
Thanks to the eagle eyes at Slate for spotting this gem - “Tucked right between The Age of Lincoln and a history of Goldman Sachs [on Newt Gingrich’s bookshelf] is House of Leaves […] There is a statement to be made about this plot and about Gingrich’s very, very, very deliberate decision to wind down his campaign. Possibly. It could be that he just likes postmodern fiction more than he lets on.” (via Slate)
