“He was one of those people who stared at you with a meaningful smile on their face, as if he was somehow intellectually...
This is the cover I wanted to run with. Ah well.
Inside publishing jokes are just the best.
Let’s all take a moment.
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Adorable.
In truth, the relationship between persona and person can be problematic. Of all the celebrity encounters I’ve experienced, the one that sticks with me is the briefest, most random, possibly the saddest. Early one morning, many years ago, I came out of my apartment building on the Upper West Side of Manhattan and got ready to go for a run. As I breathed the spring air, the door to the adjoining building opened and another jogger emerged. We started stretching our hamstrings side by side, and I glanced over and acknowledged the other man with a friendly nod.
Three almost invisible things happened in rapid succession. First, he nodded back with a pleasant smile. Second, I realized that he was Robin Williams. Third, he realized that I realized he was Robin Williams, and his eyes went dead. Not just dead: empty. It was as if the storefront to his face had been shuttered, cutting off any possibility of interaction. There wasn’t anything rude about this, and I respected his privacy, honoring the code observed by all New Yorkers who know they can potentially cross paths with an A-list name at any corner deli. Or was it his celebrity I was respecting? Whichever, a very small moment of human connection between two people had been squelched by the appearance of a third, not-quite-real person: the movie star. The second I recognized who the other jogger was, his persona got in the way. I couldn’t not see him as “Robin Williams.” And he knew it.
This happens dozens of times in any well-known person’s day. It’s why Williams’s eyes shut down so completely; it’s why I left him alone and went for my run. I felt bad for the man, even if I hadn’t actually done anything. Because people do, in fact, do things. Think of all those fans who meet movie stars and insist on being photographed with them, the snapshot serving as both proof and relic. Think, too, of the man who shot and killed John Lennon but made sure to get his autograph first.
- from Gods Like Us: On Movie Stardom and Modern Fame by Ty Burr, coming 9/18 from Pantheon Books
*Pre-orders the shit out of this*